![]() Rager can only be heard as a drab disappointment. No doubt he has more between his ears than many others in his field, but when Drake, Nicki Minaj and Wiz Khalifa are teaming new ideas with headline-stealing hits it makes Cudi's personal challenge look all the more difficult. ![]() The woeful Marijuana ("it's the only thing which keeps me level"), MANIAC and Ashin' Kusher in particular are tiresome, half-hearted and directionless.Ĭonsidering some of Cudi's non-musical controversies (punching one of his own fans and being sentenced for cocaine possession, plus his candid comments about other rappers), and his warping the genre's traditional boundaries. This just feels like a never-ending chore. The first, The End Of Day, came out in 2009 and its follow-up The Legend Of Mr. Rate and review albums along with the AOTY community. Kid Cudi has officially announced the long-awaited third installment of his Man On The Moon album series. Another fantastic addition to the man on the moon series. Kid Cudi Man on the Moon III: The Chosen. Part I at least felt like a whole body of work. This album is a testament to how Cudis evolution as a person can influence his artistic expression. Sadly, their irregularity only serves to exaggerate their position as high-points.īeyond that, the concept falls down. Reviewed: DecemThe latest, underwhelming installment of the rapper’s cosmic album series arrives 11 years after the original and coasts on a legacy built a lifetime ago. The World (featuring Cee-Lo) and Erase Me (featuring friend and mentor West) – are infrequent jewels tucked amongst 17 tracks. ![]() Following the pattern of his debut, the poppier highlights – such as Scott Mescudi Vs. And once again it's not an immediately engaging listen.Ĭudi's penchant for wintry, bleak beats and lurching, frosty melodies remain. A tribute to his tenacity, here Cudi has stuck to his promise and returned with part II of a trilogy of albums. Now it's clear the man born Scott Mescudi doesn’t really do festival-slayers like Jay-Z, Kanye et al instead, he makes hip hop sound like it was discovered on the surface of the Jupiter. It was a dark, winding, slow-rollercoaster through his inner-consciousness. However, slow to come to the boil (there were a lot of Cudi's now trademark sallow beats), impatient critics dismissed it as over-cooked whilst fans expecting an album of Day N' Nite's (his international hit after production duo Crookers remixed it) were left scratching their head by an hour-long concept album narrated by Common which didn't, shall we say, exactly skip along. It was one of the most ambitious, challenging hip hop albums of recent note. Having seen Kanye West open all the genre's dorm-doors with The College Dropout half a decade ago he set about chiseling his debut album Man on the Moon: The End of Day (2009). The 26-year-old Cleveland rapper is, to all intents and purposes, an introverted gawky, geek. Compound this upward of 50 times, and you’ve got yourself an earworm that hits the heart.In the often macho world of hip hop, Kid Cudi stands as a strange customer. The howling creep of Pusha-T’s opening verse on “Feel the Love,” Kanye’s emphatic gun sounds, and Kid Cudi’s of-the-soil humming carries a new, spiritual air as the album feeds meaning and atmosphere into itself. “Cudi Montage” bathes us in a cleansing lightness that informs subsequent listens. Where comfort could easily breed a lull, KIDS SEE GHOSTS manages to evolve before our eyes. When you feel you’ve found your place in an album, there’s no impetus to shut it off. Along with an experimental and hypnotic sonic odyssey, the format of KIDS SEE GHOSTS delivers the enveloping comfort of belonging. ![]() The constant cycling and familiar warmth of Cudi’s hums give listeners the sense that they’ve heard this album before, that they know all the words intrinsically. It is all the easier to commit to a 20-minute album three times than a 60-minute album any number of times, no matter how good the music. The seven-track format is a key player here, too. Ever the over-thinker, while I poured hours into a search for meaning over feeling, the album was quietly doing the legwork in the background, until KIDS SEE GHOSTS and the universe it so effortlessly spun became my unavoidable foreground. This storm of reaction and contradiction was an essential element for the mythos of the album. The songs lyrics are about Cudis battle with drugs, with lines referencing about almost overdosing one time. His character embodies a battle between instinct and impulse, both good and bad, still coming to terms with. For each piece read, I opened two more, and all the while the record kept spinning. Rager' is a song with a meaning that is close to Kid Cudi.
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